The Warrior of Light remembers the past.
(Manual of the Warrior of Light)
Trees and towns
In the Mojave desert, one often comes across those famous ghost towns that were built around the gold mines. They were abandoned when all the gold had been mined out. They had served their purpose and there was no reason for anyone to go on living there.
When we walk through a forest, we see trees which, once they have served their purpose, have fallen. However, unlike ghost towns, their fall has opened up space for light to penetrate, they have enriched the soil and their trunks are covered in new vegetation.
Our old age will depend on the way we have lived. We can either end up like a ghost town or like a generous tree, which continues to be important even after its fall.
When you were 17 your parents had sent you to an asylum because they thought you were psychotic. And now you are the world’s biggest-selling novelist! How has been the journey?
My parents locked me up three times in a lunatic asylum. The reasons in my medical files are banal. It was said that I was isolated, hostile and miserable at school. I was not crazy but I was rather just a 17-year-old who really wanted to become a writer. Because no one understood this, I was locked up for months and fed with tranquilisers. The therapy merely consisted of giving me electroshocks. They were intended to clear the uppermost layer of my memory in order to bring peace to my head. I promised to myself that one day I would write about this experience, so young people will understand that we have to fight for our own dreams from a very early stage of our lives. The message in “Veronika decides to die” is that: dare to be different. You are unique, and you have to accept you as you are, instead of trying to repeat other people’s destinies or patterns. Insanity is to behave like someone that you are not. Normality is the capacity to express your feelings. From the moment that you don’t fear to share your heart, you are a free person. I was a rebel. I was opposite everything, and that is actually a good thing to be when you are young of age. My parents tried to make me behave properly. The tried everything from threats, to complain about how much I let them down, but nothing worked. They thought they had lost control, and said to themselves: “He is mad. He wants to be an artist”. And then they committed me to this institution and I learned at very young age that I had to fight. I chose not to look at myself as a victim but thought ” Paulo, now you are experiencing the difficulties that real artists actually should experience.”
A Warrior of Light often loses heart.
(Manual of the Warrior of Light)
A traditional Sufi story
Many years ago, in a poor Chinese village, there lived a farmer and his son. His only material possession, apart from the land and a small hut, was a horse he had inherited from his father.
One day, the horse ran away, leaving the man with no animal with which to work the land. His neighbours, who respected him for his honesty and diligence, went to his house to say how much they regretted his loss. He thanked them for their visit, but asked:
‘How do you know that what happened was a misfortune in my life?’
Someone muttered to a friend: ‘He obviously doesn’t want to face facts, but let him think what he likes, after all, it’s better than being sad about it.’
And the neighbours went away again, pretending to agree with what he had said.
A week later, the horse returned to its stable, but it was not alone; it brought with it a beautiful mare for company. The inhabitants of the village were thrilled when they heard the news, for only then did they understand the reply the man had given them, and they went back to the farmer’s house to congratulate him on his good fortune.
‘Instead of one horse, you’ve got two. Congratulations!’ they said.
‘Many thanks for your visit and for your solidarity,’ replied the farmer. ‘But how do you know that what happened was a blessing in my life?’
The neighbours were rather put out and decided that the man must be going mad, and, as they left, they said: ‘Doesn’t the man realise that the horse is a gift from God?’
A month later, the farmer’s son decided to break the mare in. However, the animal bucked wildly and threw the boy off; the boy fell awkwardly and broke his leg.
The neighbours returned to the farmer’s house, bringing presents for the injured boy. The mayor of the village solemnly presented his condolences to the father, saying how sad they all were about what had occurred.
The man thanked them for their visit and for their kindness, but he asked:
‘How do you know that what happened was a misfortune in my life?’
These words left everyone dumbstruck, because they were all quite sure that the son’s accident was a real tragedy. As they left the farmer’s house, they said to each other: ‘Now he really has gone mad; his only son could be left permanently crippled, and he’s not sure whether the accident was a misfortune or not!’
A few months went by, and Japan declared war on China. The emperor’s emissaries scoured the country for healthy young men to be sent to the front. When they reached the village, they recruited all the young men, except the farmer’s son, whose leg had not yet mended.
None of the young men came back alive. The son recovered, and the two horses produced foals that were all sold for a good price. The farmer went to visit his neighbours to console and to help them, since they had always shown him such solidarity. Whenever any of them complained, the farmer would say: ‘How do you know that what happened was a misfortune?’ If someone was overjoyed about something, he would ask: ‘How do you know that what happened was a blessing?’ And the people of the village came to understand that life has other meanings that go beyond mere appearance.
When and where the duty of an writer finishes?
Nobody is an island, as John Donne said once. By understanding that I have to fight for my rights, I also understood that this includes fighting for social justice. Since I was young, I had the romantic idea of giving people around me a chance.
For a period of my life, I was too busy, fighting for my own chance. Then, for another period, I could see – In my case - the light of the end of the tunnel, but I did not have money to help the others to fight for their dreams. In 1995 I had enough money to start a project, so I choose to:
a] support the children, the future of my country, giving them the same opportunity that I had as for education and love
b] support people who does not have enough money to live, so they only survive.
Today I invest up to 300.000 USDollars a year in these two projects. I could invest more, but there is a problem of physical space: we work in a “favela” ( a shanty town ) close to my apt., in five different houses, taking care of 310 children. We need three more houses to take care of another 200, and, although I have money to expand the project, there are no places to rent or sell in this area, so we are waiting the first opportunity to do it. I also use, as much as I can, my “influence” to get things from the govt., like credits to new projects developed by these people, basic sanitary needs, etc.
However, I only contribute with money and some sporadic visits to the places. The anonymous heroes and heroines, who are there all day long, working hard, are the ones who deserve the honors. Without them, my money would be useless.