Monthly Archive for December, 2008

The golden rose

I have just had dinner, now I am having some coffee and contemplating the painting in front of me: it was put in a river and left there for a year, waiting for nature to give the final touch to the painter’s work.

Half of the painting was carried off by the waters and bad weather, so the edges are all uneven, but even so I can still see part of the beautiful red rose painted on a golden background. I know the artist. I remember 2003, when together we went to a forest in the Pyrenees, discovered the creek – which at that moment was dry – and hid the canvas underneath the stones that covered the river bed.

I know the artist, Christina Oiticica. At this very moment she is physically at a distance of 8,000 kilometers, and at the same time she is in everything around me. That makes me happy: even after 29 years of marriage, the love is more intense than ever before. Never did I imagine that this would happen: I had been in three relationships that did not work out right and was convinced that eternal love did not exist until she came along – on a Christmas afternoon, like a present sent by a angel. We went to the movies. We made love that same day. I thought to myself: “this won’t last long”. For the first two years I was always expecting one of us to give up the relationship. For the following five years I went on thinking that it was just an arrangement, that in a short while each of us would go our own way. I had convinced myself that any commitment of a more serious nature would deprive me of my “freedom” and stop me experiencing all that I wanted.

Twenty-nine years on, I am still free – because I discovered that love never enslaves us. I am free to turn my head and watch her sleeping at my side – that is the photo I have on my mobile phone. I am free for us to go out, enjoy a stroll, go on talking, discussing – and occasionally arguing, as always. I am free to love as I have never loved before, and that makes a great difference in my life.

Let’s go back to the painting and the river: it was the summer of 2002, I was already a well-known writer, I had money, I felt that my basic values had not changed, but how could I be absolutely certain? By testing. We rented a small room in a two-star hotel in France, where we began to spend five months each year. The wardrobe could not get any bigger, so we had to limit our clothes. We wandered through the forests, dined out, spent hours in conversation and went to the movies every day. The simplicity of it all confirmed for us that the most sophisticated things in the world are precisely those that are within everyone’s reach. All that I needed for my work was a portable computer. But it so happens that my wife is … a painter.

And painters need gigantic studios to produce and keep their work. By no means did I want her to sacrifice her vocation for me, so I proposed renting a place. However, looking around, seeing the mountains, the valleys, the rivers and the lakes, the forests, she thought: why don’t I work here? And why not let nature work with me?

And thus was born the idea of “storing” the canvases in the open air. I carried my laptop and went on writing. She knelt on the grass and painted. A year later, when we removed the first paintings, the result was original, magnificent.

We lived in that small hotel for two unforgettable years. She continued to bury her canvases, no longer out of necessity but because she had discovered a new technique. The Amazon, Mumbai, the Way to Santiago, Lubijana, Miami. Today she is far away, but tomorrow or next week she will be close again, sleeping at my side. Content, because her work is beginning to be recognized all over the world.

At this moment I see only the rose. And I thank the angel that gave me two presents on that Christmas of 1979: the ability to open up my own heart, and the right person to receive it.

A happy 2009 to all.

Paulo Coelho

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A day at the mill

By Paulo Coelho

At the moment my life is a symphony made up of three different movements: “many people,” “some people,” and “hardly anybody.” Each of these movements lasts about four months a year; they often come together during the same month, but they never get mixed up.

“Many people” are those moments when I am in touch with the public, editors and journalists. “Some people” happens when I go to Brazil, meet my old friends, walk along Copacabana beach, attend the occasional social event, but as a rule I stay at home.

But today I just want to dwell a little on the “hardly anybody” movement. Night has already descended on this small town of 200 people in the Pyrenees whose name I would rather keep a secret and where I recently bought an old mill transformed into a house. I wake up every morning to the roosters crowing, have my breakfast and go out for a walk among the cows and lambs and through the fields of wheat and hay. I contemplate the mountains and – unlike the “many people” movement – never try to think who I am. I have no answers, no questions, I live entirely for the present moment, in the understanding that the year has four seasons (yes, it may seem so obvious, but sometimes we forget that), and I transform myself like the landscape all around me.

At this moment I have no great interest in what is going on in Iraq or Afghanistan: like any other person who lives in the countryside, the most important news is the weather. Everyone who lives in this small village knows if it is going to rain, turn cold, or be very windy, because all that has a direct effect on their lives, their plans, their crops. I pass a farmer tending his field, we exchange a “good morning,” discuss the weather forecast and then go about what we were doing – he at his plough, I on my long walk.

I head back home, check the mail-box, the local newspaper informs me that there is a dance in the next village, a lecture in a bar in Tarbes – the big city with all of its 40,000 inhabitants (the firemen had been called out because a garbage bin had caught on fire during the night). The topic that is mobilizing the region involves a group accused of cutting down the plane trees that had caused the death of a young man riding his motorbike on a country road; this piece of news fills a whole page and several days of reporting about the “secret command” that is bent on revenging the death of the young biker by destroying the trees.

I lie down beside the brook that runs through my mill. I look up at the cloudless sky in this terrifying summer with its 5,000 dead in France alone. I rise and go to practice kyudo, the form of meditation with the bow and arrow that occupies me for an hour. It’s already lunchtime: I have a light meal and then notice a strange object in one of the rooms of the old building, with a screen and a keyboard, all connected – wonder of wonders – with a super-speed DSL line. I know that as soon as I press a button on that machine, the world will come to me.

I resist as long as I am able but then the moment is reached when my finger touches the “on” button and here I go again connected to the world, Brazilian newspaper columns, books, interviews to be given, the news from Iraq and Afghanistan, requests, the message that the airline ticket will be arriving tomorrow, decisions to put off, and decisions to take.

For a few hours I work, because that is what I chose to do, because that is my personal legend, because a warrior of the light is aware of his duties and responsibilities. But in the “hardly anybody” movement, everything that appears on the computer screen is very distant, just as the mill seems to be a dream when I am in the “many people” or “some people” movements.

The sun starts to hide itself away, the button is turned to “off”, the world goes back to being just fields, the scent of the herbs, the mooing of the cows and the shepherd’s voice bringing his flock home to the shed at the side of the mill.

I wonder how I can move about in two such different worlds in the space of a single day: the answer escapes me, yet I know this brings me great pleasure and it makes me happy while I write down these lines.

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Being In The Right Place

Quote of the Day

By Paulo Coelho

The end of one stage is only the beginning of another. Any dangers overcome are the necessary preparation to do better in the next stage.

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