Paulo Coelho’s Blog

By Paulo Coelho

A warrior of the light who trusts too much in his intelligence ends up under-estimating the power of the adversary.

One must not forget: there are moments when strength is more effective than sagacity. And when we find ourselves faced with a certain kind of violence, no brilliance, argument, intelligence or charm can prevent tragedy.

That is why the warrior never under-estimates brute force. When it is irrationally aggressive, he retreats from the battle field until the enemy has spent his energy.

However, let it be made quite clear: a warrior of the light is never cowardly. Flight can be an excellent art of defense but it cannot be used when there is great fear.

In the face of any doubt, the warrior prefers to accept defeat and take care of his wounds, because he knows that if he flees he will be giving the attacker a greater power than he deserves.

He can cure physical suffering but he will be eternally persecuted for his spiritual weakness. In some difficult and painful moments, the warrior faces a situation of disadvantage with heroism, resignation and courage.

To achieve the necessary state of mind (since he is entering the fight at a disadvantage and may suffer a lot), the warrior has to understand exactly what can cause him harm. Okakura Kakuso comments in his book on the Japanese tea ritual:

“We look at the evil of others because we know evil through our own behavior. We never forgive those who injure us because we believe that we would never be forgiven. We tell painful truth to our neighbor because we want to hide it from ourselves. We show our strength so that no-one can see our fragility.”

“That is why, whenever you are judging your brother, know that it you who are on trial.”

Sometimes this knowledge can prevent a fight that will only bring disadvantages. However, at other times there is no way out, only an unequal fight.

We know we are gong to lose, but the enemy - violence - has left no other alternative but cowardice, which is of no interest to us. At this moment it is necessary to accept fate and try to bear in mind a text from the fabulous Bhagavad Gita (Chapter II, 16-26):

“Man is not born, nor does he ever die. For ever he tries to exist, he will never stop doing this, because this is eternal and permanent.”

“Just as a man casts off his old clothes and starts to wear new ones, the soul casts off the old body and takes on a new one.”

“But the soul is indestructible; spades cannot cut it down, fire does not burn it, water does not wet it, and the wind never dries it. The soul is beyond the power of all such things.”

“As man is indestructible, he is always victorious (even in his defeats), and therefore should never have regrets.”

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By Paulo Coelho

On the 29th of May 2002, hours before writing the last sentence of my book ‘Eleven Minutes’, I went to the Grotto at Lourdes in France to fill up a few bottles of holy water from the fountain there. When I entered the cathedral grounds, a man of about 70 years old came up to me and said: “You know you look like Paulo Coelho?” I answered him that that was who I really was.

The man gave me a hug and introduced his wife and grand-daughter. He told me how important my books were in his life, ending with the phrase: “They make me dream.”

I had already heard that said several times, and it has always made me glad. At that moment, however, it scared me a bit, because I knew that “Eleven minutes” touches on a delicate, strong, shocking question: the journey of a Brazilian prostitute in search of her soul. I walked over to the fountain, filled the bottles, returned, asked the man where he lived (in the north of France, near Belgium) and wrote down his name.

Right there and then I decided to dedicate the book to that man, Maurice Gravelines. I hold an obligation towards him, his wife, grand-daughter, and myself: to talk about what bothers me, not about what everyone would like to hear.

Some books make us dream, others show us reality, but none can elude what is most important for an author: honesty to what he writes. Writing about sex was for me a challenge I had faced since my youth, when the hippie revolution devised a whole lot of new modes of behavior in this respect, sometimes stretching the limits of common sense. After those crazy years we went through a conservative period because of the advent of mortal diseases, and marked by that persistent question: “but is sex really all that important?”

We live in a world of standard behavior: standards of beauty, quality, intelligence, efficiency. We believe there is a model for everything and we also think that we will be safe if we follow that model.

And for that very reason we set a “sex standard,” which in fact consists of a series of lies: vaginal orgasm, virility above all else, better to pretend than to leave the partner disappointed, and so on. A direct consequence of this type of attitude is that millions of people are left frustrated, unhappy and guilty. And this has caused all sorts of aberrations such as pedophilia, incest or rape. Why we behave like this with something that’s so important?

In the same way that an author never knows the course that his books are going to take - and that is why he lets the text take off in unexpected directions - we too have to live our contradictions, above all in areas as sensitive as sex and love. The man who wants to follow a standard the whole time will be obliged to think today what he thought yesterday and always wear a tie to match his socks. Can you think of anything more boring?

The society that today approaches sexual behavior with a “standard,” without respecting individual differences, should try to remember one of the most beautiful poems on the human condition, the hymn to Isis discovered by Nag Hammadi, which scholars claim was written between the 3rd and 4th centuries of our age:

Because I am the first and the last
I am the venerated and the scorned
I am the whore and the saint
I am the wife and the virgin
I am the mother and the daughter
I am the arms of my mother
I am the sterile one, and my children are many
I am the well-wed and the spinster
I am the one who gave the light and the one who never gave birth
I am the wife and the husband
And it was my man who bore me in his belly
I am the mother of my father
I am the sister of my husband
And he is my rejected son
Respect me always
Because I am the scandalous and the discreet.

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